The Relationship between Chinese Art Aesthetics and Holographic Aesthetics of New Media Art
Keywords:
Chinese art, Aesthetics, New media art, Holographic aesthetic, RelationAbstract
New media art has become a new development and art trend in the new media era. As a new art form, new media art has gradually become an important part of art and design. However, new media art and design are the product of the combination of new media and art and design. Their encounter is separated from their original fields and then combined into a new field. The development of new media art has holographic aesthetic characteristics such as comprehensiveness, interactivity and virtual aesthetic scene, which is closely related to the basic concept of Chinese art aesthetics. Exploring the relationship between them is of great practical significance in promoting the development of Chinese media art, providing new value orientation for the public, highlighting the characteristics of artistic creation, and realizing the aesthetic development of Chinese art. This paper summarizes the respective characteristics of Chinese art aesthetics and holographic aesthetics of new media art and focuses on the relationship between the two to help the aesthetic development of Chinese art and enhance its aesthetic characteristics.
References
Yu Y, 2015, The Relationship Between Chinese Art Aesthetics and Holographic Aesthetics of New Media Art. Journal of Social Sciences, Harbin Normal University, 2015(3): 136–138.
Chai Y, Yang F, 2020, Aesthetic Transformation of Film and Television Art in the New Media Era. Social Sciences of Chinese Universities, 2020(1): 144–151.
Yan J, 2021, Research on Chinese Contemporary Immersive Art Exhibition from the Perspective of Reception Aesthetics, thesis, Jilin University of the Arts.
Bao Y, 2023, Research on Modern Chinese Poetry from the Perspective of Visual Arts, thesis, Shandong University.
Wang N, Yu H, 2012, Study on Website Interactivity from the Perspective of Systemic Functional Grammar and Visual Grammar: A Case Study of Nushu Website of the Research Center of Chinese Ancient Script Art of Tsinghua University. Journal of Hefei University of Technology (Social Sciences Edition), 36(1): 94–99.
Chen X, 2021, “Technical Survival” of New Power Directors: Industrialization, Spectacle Aesthetics and Imagination Consumption: One of a Series of Studies on Chinese New Power Directors. Film Review, 2021(6): 1–6.
Liu J, Li T, 2022, The Social Value and Significance of Visual Communication Design from the Perspective of New Media. Science and Information Technology, 2022(1): 28–30.
Shen Z, 2022, On the Individual Expression of Brand Design Aesthetics from the Perspective of Chinese Culture. Footwear Craft and Design, 2022(12): 55–57.
Zhang H, 2021, The Aesthetic Spirit of Traditional Chinese Painting and Its Dissemination. Modern Communication, 2021(24): 125–126.
Xie X, 2021, The Development of Confucian Aesthetic Thought and Its Influence on the Construction of Contemporary Aesthetic View in China. Years of Youth, 2021(12): 23–25.
Feng Y, Wang X, Zhu C, 2020, Research on the Promotion of Development Power of China’s Sports Culture Industry: Based on Aesthetic Economic Perspective. Journal of Physical Education, 2020(5): 89–94.
Xiong Q, Ju Y, 2020, Toward the United States—A Review of the Research of Educational Aesthetics in China in the Past 70 Years. Educational Science Research, 2020(8): 53–62.
Wang Z, 2018, The Role and Status of Aesthetic Spirit in Chinese Culture. Young Writers, 2018(12): 194.
Jia B, 2017, Discussion on Chinese Classical Aesthetic Thought and Self. Young Writers, 2017(27): 83.
Yang Z, 2017, Aesthetic Value and Inheritance of Traditional Sports in China. Journal of Qiqihar Teachers College, 2017(3): 81–82.
