Stylistic Multiplicity in Prokofiev’s War Sonatas
Keywords:
Prokofiev, War sonatas, Stylistic multiplicity, NeoclassicismAbstract
This article will explore Sergei Prokofiev’s stylistic multiplicity in his three piano “War Sonatas” (Op.82, Op.83, Op.84). Prokofiev (1891–1953), a prominent Russian composer and pianist of the 20th century, drew from diverse musical influences shaped by his upbringing, education, and exposure to European and Russian traditions. The article delves into four of Prokofiev’s compositional styles, emphasizing neoclassicism, metallic or bell-like sounds, lyricism, and unconventional harmonies (“wrong” notes). These elements are analyzed within the context of his life experiences, musical training, and the turbulent historical backdrop of World War II. By examining and analyzing specific musical examples from the war sonatas, the study illustrates how Prokofiev’s compositions reflect a fusion of traditionalism and modernism, contributing to his unique musical voice in the realm of piano literature.
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